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In 100 Days of Lies episode 1, the opening wardrobe contrasts sharp 1930s western tailoring with utilitarian Korean workwear. As Lee Ga-gyeong navigates Gyeongseong Station, her rust structured cape coat and black cloche hat present an assertive persona, while Yoo So-ran and Yoo Phillip arrive in layered travel overcoats and sharp lapels. Sato Hideo showcases crisp suiting with structured shoulders and clean collars. This guide breaks down the visual silhouettes seen on screen and offers practical ways to recreate the period aesthetics through accessible modern pieces.
| Item | Details |
|---|---|
| Series | 100 Days of Lies |
| Episode | 1 |
| Network | tvN |
| Nationwide Rating | 5.3% |
Gyeongseong Station Arrival: Structured Outerwear and Cloche Hats
The premiere of 100 Days of Lies sets its visual tone right at Gyeongseong Station, contrasting high-society western tailoring with understated everyday wear. Lee Ga-gyeong makes an immediate impression in a rust-toned structured cape jacket paired with a black wool cloche hat, giving her sharp definition in a packed crowd.

Meanwhile, Yoo So-ran steps off the train wearing a textured wool overcoat layered over a high-collared burgundy inner piece, topped with a matching dark cloche hat. The silhouette emphasizes clean vertical lines and heavy fabric drape suitable for long-distance travel.

To adapt this structured aesthetic for everyday wear, consider balancing structured shoulders with clean mid-rise trousers:
- Genhoo women stretch office blazer, black — similar style (paid link): Provides a crisp silhouette with stretch comfort suitable for daily office styling.
- Gleeivy women cotton collared button-down shirt — similar style (paid link): Offers a structured collar profile that layers neatly under tailored lapels.
Gentlemen's Suiting: Formal Tailoring and Trench Silhouettes
Formal menswear in the episode reflects the rigid hierarchies of the colonial administration. Sato Hideo appears in sharp three-piece suiting, sporting wide peak lapels, a crisp white spread collar, and a dark silk tie. The silhouette emphasizes upright posture and broad chest proportions.

Later in the evening banquet halls, his suit jacket maintains clean shoulder roping and a sharp collar stance. Yoo Phillip complements this aesthetic in a classic belted trench coat over a tailored wool suit, accessorized with a felt fedora.

For readers seeking a sharp masculine silhouette inspired by the episode:
- KSWYCT navy double-breasted blazer — similar style (paid link): Delivers a structured double-breasted cut with prominent lapels.
- Amazon Essentials men cotton Oxford shirt, blue — similar style (paid link): Delivers breathable cotton construction with a classic buttoned collar.
- COOFANDY grey long-sleeve knit polo — similar style (paid link): Offers a softer collar option that pairs well with relaxed blazers.
Vintage Accessory Accents and Subtle Hair Details
Beyond heavy wool coats and western suits, the production highlights delicate decorative accents on traditional Korean silhouettes and formal occasion wear. While Ga-gyeong wears plain unbleached cotton workwear during daily tasks, formal banquets feature intricate hair arrangements and ornamental accessories.

Vintage hairpins with floral motifs and tassel drops help recreate traditional updo accents for cultural gatherings or themed events:
- Jaczora floral pearl tassel hairpin set — similar style (paid link): Adds pearl and floral embellishments suitable for swept-back hairstyles.
To explore how the styling develops in subsequent chapters, see 100 Days of Lies Episode 3 Outfits: 1930s Modern Tailoring and Similar Style Guide.
Frequently asked questions
Are the exact screen-worn costumes from 100 Days of Lies commercially available?
The costumes in 100 Days of Lies are custom period garments tailored specifically for the 1930s drama production. While original screen-worn pieces are not sold as ready-to-wear items, you can achieve the same aesthetic using modern tailored blazers, collared shirts, and vintage-inspired accessories.