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In And the Winner Is Love Episode 28, the visual drama shifts into the characters' distinct martial wardrobes. Chong Xuezhi appears in a practical white tunic paired with textured braided harness straps and a delicate floral metal hairpin tucked into her topknot. Shangguan Tou contrasts her clean warrior aesthetic with flowing ice-blue layered robes, framed by a sleek half-up hair stick arrangement. For viewers looking to recreate these historical silhouettes, production costuming is custom-made for the screen, but similar accessories like vintage floral Hanfu hairpins capture the balance between graceful court romance and grounded wuxia elegance.
| Item | Details |
|---|---|
| Series | And the Winner Is Love (Episode 28) |
| Key Costuming Elements | Chong Xuezhi's updo hairpin, Shangguan Tou's ice-blue crossover robes, Yuwen Muyuan's ribbed dark armor robes |
| Primary Silhouettes | Cross-collar flowing Hanfu, braided martial shoulder harnesses, high topknot updos |
| Featured Similar Accessory | Vintage floral pearl tassel hairpin set |
Chong Xuezhi's Understated Updo and Braided Harness Accents
Chong Xuezhi's wardrobe in this sequence highlights functional martial mobility while preserving her refined position as palace chief. Her base garment is a crisp white crossover tunic, but the focal point is the dark blue braided harness framing her collarbones. This structured chest strap keeps the lightweight fabric tidy during fast-paced movements and breaks up the monochrome white silhouette.
Her hair styling reinforces that discipline. Rather than elaborate court tiaras or cascading ribbon ornaments, she wears a tight topknot set high on the crown. A silver-toned filigree floral hairpin nestles directly into the side of the bun, catching the light without dangling or creating loose distraction.
Because the drama relies on custom studio props, finding an identical screen-worn piece is unlikely. You can capture that same antique elegance with the Jaczora floral pearl tassel hairpin set — similar style (paid link). The five-piece collection features antique gold-tone floral metalwork, delicate faux pearls, and rhinestone highlights designed to anchor updos and twisted buns. Check the product page directly to review the clip hardware and tassel specifications before selecting your setup.
Shangguan Tou's Layered Ice-Blue Robes and Sleek Half-Up Hairstyle
Shangguan Tou's costuming presents a deliberate aesthetic departure from the rigid martial outfits around him. His multi-layered Hanfu combines shades of ice blue, silver-grey, and soft off-white. The crossover lapels showcase delicate tonal border embroidery, adding subtle surface texture without heavy contrast stitching.
The outer robe cut is generous and fluid. When stationary, the long vertical seams elongate his frame; in motion, the lightweight textile drifts naturally, reinforcing his reputation for effortless agility. His dark hair is pulled into a neat half-up crown knot pinned by a slender dark hair stick, allowing straight lengths to fall down his shoulders and back.
For modern casual adaptations, this pale blue layered look translates well into lightweight duster cardigans or open linen coats worn over simple white basics. The elongated silhouette offers a breezy, relaxed vertical line that flatters tall or slender proportions without feeling stiff.
Yuwen Muyuan's Ribbed Armor Robes and Martial Silhouette
Yuwen Muyuan's wardrobe provides a stark, grounded counterweight to Shangguan Tou's ethereal silk aesthetic. His costume features a dark charcoal-to-black combat tunic accented by dense horizontal ribbing across the chest and shoulders. This textured layering mimics segmented armor plating, visually broadening his upper body.
To prevent the dark fabric from looking flat under indoor lighting, the costume designers introduced a sliver of deep crimson along the inner collar band. That sharp slash of red frames his neck and draws attention toward his tightly bound high ponytail.
The design language here is all about discipline and defensive capability. Where Shangguan Tou relies on loose sleeves and drape, Yuwen Muyuan is bound by fitted cuffs and structured shoulders, defining the contrast between free-spirited wandering master and sworn guardian.
Styling Proportions and Accessory Selection Guide
Replicating period wuxia styles for contemporary occasions comes down to selective balance rather than wearing full historical attire:
- Hairpin Placement: Position small floral hair clips or pins close to the base of a twist or high bun. Keeping the accessory tucked against the hair mass prevents slippage and creates a clean profile.
- Tonal Layering: Emulate Shangguan Tou's soft palette by pairing pale slate blues with chalk-white inner shirts or light knit layers.
- Structured Accents: Borrow from Yuwen Muyuan's look by incorporating dark utility vests, ribbed shoulder yokes, or jackets with mandarin collars.
For viewers tracking how these character palettes evolve into more formal ceremonial arrangements later in the series, see the detailed breakdown in And the Winner Is Love Episode 35 Outfits.
Frequently asked questions
Are the exact outfits from this episode available to buy?
The costumes seen on screen were custom creations designed specifically for the production. However, accessible styling alternatives such as Hanfu hairpins and cross-collar loungewear can help viewers achieve a similar traditional aesthetic.
How is Chong Xuezhi's hair styled in this episode?
She wears a sleek high bun secured near the crown, accented by a single metallic floral hair ornament and flanked by clean, pulled-back front sections suitable for active martial movement.